ISSN: 2534-5192 (electronic) – 2681-8566 (print)




ISBN: 978-2-4870550-0-1
e-ISBN: 978-2-4870550-1-8

Download (44.92 MB)

Ugraphia: The Pursuit of Perfect Legibility
Vlad Atanasiu ORCID iD icon

Is perfect legibility, Ugraphia, possible outside of Thomas More’s Utopia? Understanding the limits of legibility is of practical relevance to typeface design and optometry, in addition to being of theoretical interest for research in human communication. Drawing on a wide range of material from paleography, typography, psychology, information theory, and cinema, and supplemented with an original experiment in script design, its argument reflected in idiosyncratically writing and layout styles, this cross-cultural history of legibility explores an interlocking complex of factors affecting progress in the long-term evolution of legibility.

Ugraphia reveals the divergence between industrial ideals, scientific theories, and popular representations of legibility, how power games are played and aesthetic fashions develop through scripts. Already loaded with heritage, scripts are being concomitantly constrained by character frequency variation between languages, visual perceptual effects, the kinematics of handwriting production, and the evolution of imaging, print and display technologies. There is limited progress found with respect to character structure, and a persistent flow and ebb in the legibility of handwriting (‘bioscript’); however, there is ample optimization of artificially produced writing (‘mechascript’), as well as a potential improvement in reading performance due to script proliferation and diversification.

DOI: https://doi.org/10.36824/2025-atanasiu


  • Table of contents — 1901
  • Aims of book: investigate if perfect legibility is possible — 1908
  • Rhetoric: a scientific, literary, & graphic catalog of legibility constraints, illustrated with pictures, quotes, & typefaces, ranging from psychological to typographic to sociocultural to cinematic — 1909
  • Frame. Epistemological perspectives & concept definitions — 1912
  • Empirics. It is difficult to recognize the perfectly legible script when it is unclear how to measure legibility — 1915
  • Ideals. The present typographical ideal of legibility is invisibility: script should not distract from reading — 1917
  • Opinions on legibility — 1918
  • Theories. Legibility is impermanent: subjective & contextual, fluctuating with social & material conditions — 1938
  • Consequences. Does perfect legibility make us think differently? — 1943
  • Mythology. Genesis, treatment, & ultima ratio of illegibility — 1945
  • Legacy. Legibility is constrained by the legacy of character shapes — 1951
  • Overload. Legibility is constrained by non-visual factors: linguistic, economical, political, etc — 1952
  • Power. Legibility is the effectiveness of social control & command exerted by normative pattern production, while illegibility is a defense mechanism — 1959
  • Sausage. A diet of only one script, however perfect, will eventually make you sick — 1963
  • Set size. Plotting legibility against character set — 1965
  • Entropy. Shape distinctiveness increases legibility — 1966
  • Statistics. Differences in character frequency & combinatorics across languages, orthographies, & contents result in patterns of varying legibility — 1967
  • Gestalt. Contextual legibility optimization beyond local is difficult — 1968
  • Size. There is an optimal script size range for every user & application — 1971
  • Density. Legibility depends non-linearly on stroke density per character area — 1972
  • Gray. The textural pattern of paragraphscannot be influenced by script producers at content level — 1973
  • Contrast. Epigraphic shadows & color contrast between script & background affect legibility — 1975
  • Perception. Space perception is anisotropic, especially for dyslexics, one example among the many known & unknown perceptual phenomena affecting legibility — 1979
  • Phenomenology. Experience of a script’s persona impacts its legibility — 1980
  • Psychedelia. Getting high on legibility — 1983
  • Kinematics. Scripts are optimized for production facility, not solely visual appearance — 1984
  • Memory. Legibility is a matter of perfecting mnemonics — 1989
  • Synthesis. Mobiles, constraining factors, & attitudes are components of the legibility machinery — 2000
  • Evolution. Exposure to diverse scripts improves recognition performance — 2002
  • Acculturation. Syncretisms keep legibility in dynamic equilibrium — 2011
  • Materiality. Legibility varies with physical embodiment & environmental conditions — 2014
  • Aesthetics. Script attractiveness motivates legibility performance — 2014
  • Personalization. Legibility is optimal when tuned to a specific reader — 2018
  • Plasticity. The tolerance range for deciphering bad writing is wide enough that most will care little about legibility until bad eyesight & old age catch up with us — 2019
  • Script Acts: Effective Imperfection. What counts in written communication are outcomes, not character recognition alone, which may even benefit from imperfection — 2021
  • Poiesis. Creative ambiguity — 2028
  • Undesirability. There are instances in which less legibility is desirable — 2030
  • Spectrum. There are application-specific degrees & kinds of legibility — 2034
  • Evidence. Legibility improves at a micromorphological level in artificially produced scripts, while the evolutionary improvement of character structure & handwriting is uncertain — 2034
  • Polygraphy. Presence of multiple scripts in the same document decreases legibility — 2048
  • Layout. Layout ergonomy depends on information selection & manipulation ease — 2053
  • Time. Legibility is degraded by script decay over time — 2061
  • Representation. Cinema represents legibility as a feat & a mystery to be pried open — 2063
  • Experiment. Script design is a compromise between many variables, only one being legibility — 2074
  • Next steps in legibility optimization — 2078
  • Exit. Concluding remarks — 2079
  • References — 2088
  • Ontoindex — 2110
  • Fonts — 2128
  • Acknowledgments — 2130
  • Mail — 2134

Vlad Atanasiu, Ugraphia: The Pursuit of Perfect Legibility, Grapholinguistics and Its Applications, vol. 6, Brest: Fluxus Editions, 2025

@BOOK{gla6-atanasiu,
   AUTHOR = {Atanasiu, Vlad},
   SERIES = {Grapholinguistics and Its Applications},
   VOLUME = {6},
   TITLE = {{(Ugraphia: The Pursuit of Perfect Legibility}},
   PUBLISHER = {Fluxus Editions},
   ADDRESS = {Brest},
   YEAR = {2025},
   DOI = {https://doi.org/10.36824/2025-atanasiu},
}